Dr Rachel Hurst FRAIA is a Senior Lecturer in architecture and Design Studio coordinator for the Architecture programs of the School of Art Architecture + Design. She has a background of architectural practice, and for ten years was a partner in a design firm specialising in small scale and residential projects.
An award-winning university teacher and an international researcher, her work has been widely published in books, journals, and conferences, as well as publicly exhibited. An overview of rachel's creative practice can be seen at https://aad.unisa.edu.au/rachel-hurst/
Exemplifying her interest in the holistic nature of architecture, her portfolio explores multi-disciplinary approaches to practice-based design, expanded fields of... Read more
About me
Dr Rachel Hurst FRAIA is a Senior Lecturer in architecture and Design Studio coordinator for the Architecture programs of the School of Art Architecture + Design. She has a background of architectural practice, and for ten years was a partner in a design firm specialising in small scale and residential projects.
An award-winning university teacher and an international researcher, her work has been widely published in books, journals, and conferences, as well as publicly exhibited. An overview of rachel's creative practice can be seen at https://aad.unisa.edu.au/rachel-hurst/
Exemplifying her interest in the holistic nature of architecture, her portfolio explores multi-disciplinary approaches to practice-based design, expanded fields of representation, modern architectural history, criticism, and design education. Rachel is a Contributing Editor for Architecture Australia, and frequent contributor to a range of national design journals such as Architecture AU, Monument, Artichoke and Houses. She receives regular commissions to contribute to architectural monographs of nationally significant practices.
Rachel graduated from the South Australian Institute of Technology in 1978 with a Bachelor of Architecture [equivalent to current UniSA professional Master of Architecture] and the Architects Board of SA Travelling Prize. Under the supervision of Prof. Sand Helsel, Dr. Mel Dodd and Dr Richard Black at RMIT, her PhD by practice was awarded in 2016. Titled The Gentle Hand and the Greedy Eye: an everyday baroque practice in architecture, it was awarded the Pinnacle and Judge’s Choice Awards for Publication in the 2016 Australian Graphic Design Awards, and finalist in the NGV Cornish Family Art Book Publishing Prize 2017. In 2019 she was made a Fellow of the Australian Institute of Architects for her contributions to the profession.
About me
Doctor of Philosophy Royal Melbourne Institute of Technology
Bachelor of Architecture South Australian Institute of Technology
Dr Hurst has a distinctive and diverse research record developed over 20 years that exemplifies the creative and changing nature of research in the architectural discipline. Its unifying thread is an interest in how complex and profound spatial patterns of everyday life might productively bridge the divide between theory and practice, the academy and the profession. She has a prolific publication and exhibition background, including nearly 100 text works and curating and exhibiting locally and internationally in over 20 shows. Major themes include theories of the everyday, analogue practices, architectural curation, design pedagogy, and Australian modernism. An overview of her research can be seen at https://aad.unisa.edu.au/rachel-hurst/
... Read moreResearch
Excludes commercial-in-confidence projects.
OLT Design and Architecture Practice Research (DAP_r), OLT-Grants - Innovation & Development, 01/01/2016 - 01/04/2018
Research
Research outputs for the last seven years are shown below. Some long-standing staff members may have older outputs included. To see earlier years visit Scopus
Open access indicates that an output is open access.
Year | Output |
---|---|
2018 |
Hurst, R 2018, 'Millions of hours', Journal of Architectural Education, vol. 72, no. 1, pp. 34-35. |
2017 |
Open access
|
2015 |
Open access
|
2014 |
Hurst, R 2014, 'Ghillanyi House (1957) revisited', Houses, no. 97, online.
Open access
|
2014 |
Hurst, RL 2014, 'Penfolds Magill Estate Restaurant', Artichoke, no. 46, pp. 34-40.
Open access
|
2012 |
Open access
|
2010 |
|
2010 |
|
2009 |
Hurst, R 2009, 'Pulteney Grammar School', Artichoke, no. 27, pp. 102-106. |
2009 |
Hurst, R 2009, 'Sand castle', Houses, no. 69, pp. 74-80. |
2009 |
|
2009 |
Open access
|
Year | Output |
---|---|
2013 |
Open access
|
2010 |
|
2009 |
|
Research
Dr Hurst has a distinctive and diverse research record developed over 20 years that exemplifies the creative and changing nature of research in the architectural discipline. Its unifying thread is an interest in how complex and profound spatial patterns of everyday life might productively bridge the divide between theory and practice, the academy and the profession. She has a prolific publication and exhibition background, including nearly 100 text works and curating and exhibiting locally and internationally in over 20 shows. Major themes include theories of the everyday, analogue practices, architectural curation, design pedagogy, and Australian modernism. An overview of her research can be seen at https://aad.unisa.edu.au/rachel-hurst/
Her current focus is on practice based methodologies and the expanded field, interrogated through creative and speculative artefacts. A recent series of drawings, paintings and textile works for example, exhibited in Copenhagen, Sydney and published in the Journal of Architectural Education, explores the use of the archive for projective architectural thinking and critique of architectural representation. Her PhD by project explored the multi-sensorial nature of everyday settings via analogue techniques and curatorial practices, producing over 500 publicly exhibited artefacts, and a portfolio of architectural journalism.
Rachel has a continuing practice of creative writing and critique, producing on average three to four writing commissions a year for monographs, design journals and exhibition catalogues. Notable in these are essays for the 2014 Venice Architectural Biennale Australian pavilion catalogue and This Building Likes Me [Thames + Hudson, 2016].
However she has an extensive catalogue of traditional research outputs that build upon over a decade in practice. Her early research followed two directions: firstly applied research in cross-disciplinary fields of urban design, planning and design education (particularly on architecture and gastronomy as a teaching and spatial metaphor); secondly in architectural history where a series of publications on Australian modernists, Dickson & Platten have led to her status as the leading scholar on their work. Significant achievements include chapters and creative works in publications by the University of New Mexico Press, Wiley-Academy Architectural Design, Ashgate and MIT Press.
She also contributes to the supervision of PhD, Masters of Research and Architectural Thesis students, and regularly referees for scholarly organisations.
Dr Hurst maintains a long and active liaison role between the academy and the architectural profession. A member of the Australian Institute of Architects (AIA) since 1986, she was elevated to Fellowship status in 2019 (normally conferred only on registered practitioners). A frequent juror in the AIA Awards, and member of the National Awards Jury in 2009, Rachel is a member of the SA Chapter Education Committee, and member in the National Visiting Panel accreditation processes, contributing to 8 accreditations. Invited twice to review the Venice Architecture Biennale, she was in a team shortlisted for the AIA Australian Pavilion Creative Direction 2011.
In addition she has a continuing consultancy with Renewal SA since 2012, as a member of the Bowden Design Review Panel.
Rachel has been a guest critic and examiner at the universities of Adelaide, Melbourne, Newcastle Queensland, Tasmania and RMIT, guest juror for the Droga Consultancy, and NSW AIA Student Awards. She is active in extra-curricular design culture, curating the inaugural Adelaide Festival of Arts Architecture Symposium, and the Frascari Symposium on the Drawing, and been guest speaker at Melbourne’s M_Pavilion, Architecture Week, and equity in architecture organization, Parlour, as well as broadcast on Radio National, Melbourne radio 3RRR and Radio Adelaide.
External engagement & recognition
Organisation | Country |
---|---|
Monash University | AUSTRALIA |
Mountains | AUSTRALIA |
Private Individual | UNITED KINGDOM |
University of Melbourne | AUSTRALIA |
University of South Australia | AUSTRALIA |
Victorian College of the Arts | AUSTRALIA |
External engagement & recognition
Engagement/recognition | Year |
---|---|
FellowAustralian Institute of Architects |
2019 |
AssociateRoyal Australian Institute of Architects |
2017 |
ContributorMonument |
2017 |
ContributorArchitecture Australia |
2017 |
ContributorArtichoke and Houses |
2017 |
CuratorFrascari Symposium on the Drawing |
2017 |
CuratorInaugural Adelaide Festival of Arts Architecture Symposium |
2017 |
Member National Visiting Panel - accreditation processAustralian and New Zealand Architecture Program |
2017 |
Bronze Award for Publication: The Gentle Hand + the Greedy Eye bookNew Zealand Graphic Design Awards |
2016 |
Finalist, Cornish Family Prize for Art Book: The Gentle Hand + the Greedy Eye bookNGV International |
2016 |
Judge's Choice Award for Publications: The Gentle Hand + the Greedy Eye bookAustralian Graphic Design Association (AGDA) |
2016 |
Pinnacle Award for Publications for The Gentle Hand + the Greedy Eye bookAustralian Graphic Design Association (AGDA) |
2016 |
Rachel teaches across both the undergraduate and postgraduate levels of the Architecture Program and her teaching has received awards at School, Division, University and National levels. She was a recipient of the AIA Neville Quarry Architectural Education Prize (commendation 2008).
She has taught in design studio, research, communication and history-theory streams, and over three decades of teaching, received 10 awards and grants, run 16 extracurricular teaching projects and coordinated nearly 30 educational development activities.
Research-based design and inventive pedagogies are at the core of her teaching portfolio, and produced teaching methodologies for beginning design students, Masters of Architecture research practices and reality-based studios at all levels of the Architecture Program. A particular facet of her teaching is student engagement, either through real projects in accessible locations, contributions from significant practitioners, hands-on making, inventive metaphorical alliances or encouraging individual theoretical positions.
Her teaching approaches and achievements have been disseminated though over 25 publications and conference presentations, regular annual exhibitions at both undergraduate and postgraduate level, and in 2018 a film summarizing a year-long final year design studio of 90 students she coordinated.
Teaching & student supervision
Supervisions from 2010 shown
Thesis title | Student status |
---|---|
Drawing and imagining Antonio's journal: an expanded drawing practice to activate heritage narratives from the digital archive | Completed |
The borders of making: an enquiry concerning steel sculpture, object-making, place and care | Completed |