I am an artist and lecturer of Contemporary Art at UniSA Creative with research interests in the materiality of image making, optical image systems as mediators of experience and media archaeology. My research collaborates across STEM, in particular with Physics and Engineering. My creative works are hybrid systems incorporating old and new technologies and technological ideas, from Renaissance natural magic to 19th century optical mechanics and are made using digital fabrication and traditional making skills. With a background in glass-making and the projected moving image, I use materials such as glass and mirror to develop image systems that physically and emotionally engage the viewer.
In 2020 I was an ANAT Synapse Residency... Read more
About me
I am an artist and lecturer of Contemporary Art at UniSA Creative with research interests in the materiality of image making, optical image systems as mediators of experience and media archaeology. My research collaborates across STEM, in particular with Physics and Engineering. My creative works are hybrid systems incorporating old and new technologies and technological ideas, from Renaissance natural magic to 19th century optical mechanics and are made using digital fabrication and traditional making skills. With a background in glass-making and the projected moving image, I use materials such as glass and mirror to develop image systems that physically and emotionally engage the viewer.
In 2020 I was an ANAT Synapse Residency recipient, for which I collaborated with the Australian National University Research School of Physics to develop a new optical image system. In 2021 I completed a Research Fellowship at the Museum of Applied Arts and Sciences in Sydney investigating an astronomical device used in Australia for the 1874 the Transit of Venus and later employed in early cinema technology. My works have been exhibited in Australia and internationally, for example the ANU School of Art and Design Gallery (2019), Bornholm Museum in Denmark (2012) and William Traver Gallery, Tacoma, USA (2012). My work is held in public Australian and international collections such as the Art Gallery of Western Australia and the National Museum of Ireland.
About me
Doctor of Philosophy Australian National University
Bachelor of Arts (Visual) with Honours Australian National University
Research
Excludes commercial-in-confidence projects.
Joyner Scholarship Scholarship, Joyner Scholarship, 01/02/2024 - 01/08/2027
Light Source, Arts SA, 16/05/2024 - 31/07/2025
Crossing disciplines with Creative Practice: South Australian artists working at intersections of art, science and technology, Arts SA, 13/06/2022 - 31/07/2023
Research
Research outputs for the last seven years are shown below. Some long-standing staff members may have older outputs included. To see earlier years visit ORCID or Scopus
Open access indicates that an output is open access.
Year | Output |
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2024 |
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2020 |
1
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Year | Output |
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2023 |
Open access
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2021 |
Open access
|
2020 |
Open access
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Year | Output |
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2021 |
Open access
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Year | Output |
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2024 |
Open access
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2023 |
Feeney, D 2023, A partnership for uncertain times, UniSA and ANAT.
Open access
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2023 |
Open access
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2023 |
Open access
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2020 |
Open access
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2019 |
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External engagement & recognition
Organisation | Country |
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Australian National University | AUSTRALIA |
Private Individual | UNITED KINGDOM |
External engagement & recognition
Engagement/recognition | Year |
---|---|
ANAT Synapse ResidencyAustralian Network for Art & Technology |
2020 |
Research FellowshipMuseum of Applied Arts and Sciences |
2020 |
ANU Vice Chancellors Creative Research FellowshipAustralian National University |
2019 |
Teaching & student supervision
Teaching & student supervision
Supervisions from 2010 shown
Thesis title | Student status |
---|---|
2024 MF & MH Joyner Higher Degree by Research Scholarship in Fine Arts | Current |
Exploring the Potential to Create 3D Sculptural Data Visualisations Using Digital Technologies | Current |
Masters by Research or PhD Project: Contemporary Art (MF &MH Joyner Scholarship in Fine Arts) | Current |
Play as an aesthetic experience | Current |
So near, that we can touch the spaces. A practice-based investigation exploring how the gestural line informs our bodily knowledge of spatial perception and materiality. | Completed |