Erica Green is founding director of the Anne & Gordon Samstag Museum of Art, established in 2007 at the University of South Australia, Adelaide. In a career of over thirty years in the professional visual arts, she has achieved national renown for her enterprise and leadership as an art museum director, curator and arts administrator, curating or managing over 100 original exhibitions. As director of the Samstag Museum of Art she is responsible for commissioning and developing the Museum’s exhibitions and public programs. She additionally manages the University Art Collection; the prestigious Anne & Gordon Samstag International Visual Arts Scholarships program; and the University of South Australia’s many cultural ... Read more
About me
Erica Green is founding director of the Anne & Gordon Samstag Museum of Art, established in 2007 at the University of South Australia, Adelaide. In a career of over thirty years in the professional visual arts, she has achieved national renown for her enterprise and leadership as an art museum director, curator and arts administrator, curating or managing over 100 original exhibitions. As director of the Samstag Museum of Art she is responsible for commissioning and developing the Museum’s exhibitions and public programs. She additionally manages the University Art Collection; the prestigious Anne & Gordon Samstag International Visual Arts Scholarships program; and the University of South Australia’s many cultural partnerships.
As the Visual Arts Executive Officer for the 2004 Adelaide Festival led by Artistic Director Stephen Page, she curated the Artists’ Week program featuring American writer and cultural critic Dave Hickey. Erica Green’s expertise in contemporary Australian art was recognised by her 2011 appointment to the federal government’s Cultural Gifts Program committee: she was also a founding member, in 2007, of the influential University Art Museums Australia group (UAMA).
In 2016 Erica Green was appointed Curator of the 2018 Adelaide Biennial of Australian Art: Divided Worlds exhibition. Extending across Adelaide’s cultural precinct, North Terrace, the 2018 Adelaide Biennial was presented at the Art Gallery of South Australia, Anne & Gordon Samstag Museum of Art at the University of South Australia, JamFactory and Adelaide Botanic Garden including the Santos Museum of Economic Botany. The exhibition titled Divided Worlds, recognises that we live in troubled times. However, rather than foretelling conflict, the exhibition celebrates the enduring role of art and culture. Divided Worlds offers an opportunity to experience an alternative dimension – one where “difference” is the natural order of things, and a strength to be celebrated.
Samstag Museum of Art I UniSA Creative
www.unisa.edu.au/samstagmuseum
e: samstagmuseum@unisa.edu.au
About me
Graduate Diploma in Museum Studies University of Sydney
Bachelor of Arts (Visual Arts) University of New South Wales
Diploma of Art (Visual Art) Alexander Mackie College of Advanced Education
Research
Research outputs for the last seven years are shown below. Some long-standing staff members may have older outputs included.
Open access indicates that an output is open access.
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2020 |
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2018 |
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2018 |
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2018 |
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2017 |
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2017 |
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2016 |
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2016 |
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2016 |
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2015 |
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2015 |
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2014 |
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2014 |
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2014 |
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2014 |
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2013 |
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2013 |
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2012 |
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2012 |
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2008 |
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Community Engagement
Curator, Adelaide Biennial of Australian Art: Divided Worlds, Art Gallery of South Australia, JamFactory, Adelaide Botanic Garden, Anne & Gordon Samstag Museum of Art, 2018
Advisory Committee, South Australia School of Art, Architecture & Design, University of South Australia, 2018
In conversation with Kirsten Coelho, Queen Adelaide Club, Adelaide, 2018
Introduction, Adelaide Cinemateque, Mercury Cinema, 2018
Judge, South Australian Screen Awards, Adelaide, 2018
Judge, UQ Self Portrait Prize, University of Queensland, Brisbane, 2017
Judge, South Australian Screen Awards, Adelaide, 2017
Judge, 2017 Helpmann Academy Graduate Exhibition, Adelaide, 2017
Speaker, What’s Hot, Art Gallery of South Australia, Adelaide, 2016
Judge, Hahndorf Academy Art Prize, Hahndorf, 2016
Guest speaker, Heysen Sculpture Biennial, Hahndorf, 2016
Judge, Fleurieu Art Prize, with Nigel Hurst, Saatchi Gallery and Suhanya Raffel, AGNSW, Adelaide, 2016
Judge, South Australian Screen Awards, Adelaide, 2016
Speaker, Belle @ Petaluma launch, Adelaide Hills, 2016
Introduction, Peggy Guggenheim: Art Addict, Adelaide Film Festival, 2016
Speaker, Presenting Provocative Ideas to Audiences, Australian Art Gallery Guides Organisation conference, Adelaide, 2015
Judge, Tidal Art Award, Devonport Regional Art Gallery, Tasmania, 2014
Speaker, to launch ‘The Barn’, Worth Gallery, Adelaide Hills, 2014
In-conversation with Brooke Andrew, Queen Adelaide Club, Adelaide, 2014
Speaker, Architecture of learning: the role of the university art museum or gallery, in.site symposium, UNSW, Sydney, 2013
Panel member, Helpmann Academy Grant Application Funding Assessment, Adelaide, 2013
Judge, Fleurieu Art Prize, with Nigel Hurst, Saatchi Gallery and Michael Zavros, artist, McLaren Vale, 2013
Judge, Basil Sellers Award, Ian Potter Museum of Art, University of Melbourne, 2012
Speaker, Adelaide Collector’s Dinner, Samstag Museum of Art, Adelaide, 2011
Advisor, Department of Communications and the Arts, Canberra, 2011 - 2018
External engagement & recognition
Organisation | Country |
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Private Individual | UNITED KINGDOM |
University of South Australia | AUSTRALIA |
External engagement & recognition
Engagement/recognition | Year |
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CuratorAdelaide Biennial |
2018 |
CuratorAdelaide Biennial |
2017 |
CuratorAdelaide Biennial |
2016 |
Publications
Essay 2018 Adelaide Biennial of Australian Art: Divided Worlds, publication, Art Gallery of South Australia, 2018
Introduction to The Samstag Legacy: An Artist’s Bequest, a major scholarly biography of Anne and Gordon Samstag, published by the Samstag Museum of Art, 2016
Essay Enhancing the presentation of art: The Anne & Gordon Samstag Museum of Art, John Wardle Architects monograph publication, 'This Building Likes Me', published by Thames & Hudson, 2016
Introduction, South Australian School of Art, Graduating Student exhibition, Pretty Ugly catalogue, 2015
Essay Material Thinking of Display, SMT Special issue: Volume 12 - Inside Out: The Dynamics of New Museum Architecture on Display, 2015
Introduction to the Geoff Wilson: Interrogated Landscape, publication, Anne & Gordon Samstag Museum of Art, 2015
Published article Bill Henson withdraws photographs from the 2014 Adelaide Biennial hosted by the Art Gallery of SA, by Erica Green published in ‘The Advertiser’, newspaper 18 September 2013
Essay, In Einstein’s Mind: Daniel Crooks at Samstag, Anne & Gordon Samstag Museum of Art, Adelaide, 2013
Introduction to the Master of Stillness: Jeffrey Smart paintings 1940 – 2011 publication, Wakefield Press, Adelaide, 2012
Introduction to The Passing by Bill Viola, Mercury Cinema, 2010
Introduction to the Uneasy: Recent South Australian Art exhibition catalogue, Samstag Museum of Art, 2009
Introduction to the Wonderful World exhibition catalogue, Samstag Museum of Art, 2007
Essay for exhibition catalogue Eden & the Apple of Sodom, UniSA Art Museum, Adelaide, 2002