Sam is a popular music scholar, musician, and lecturer at UniSA Creative. His work is primarily focused on music scenes and other creative industries, and his doctoral research focussed on the social and cultural value of small live music venues. Previous peer-reviewed publications of Dr Whiting's have explored the music industry, the live music ecology, music scenes, issues of access and live music, alternative forms of capital within the creative industries, heritage, gender studies and cultural identity. His recent teaching focusses on cultural economics and the creative industries. Dr Whiting's previous research experience has included work with the Live Music Office, the City of Melbourne, Monash University, RMIT University, and the... Read more
About me
Sam is a popular music scholar, musician, and lecturer at UniSA Creative. His work is primarily focused on music scenes and other creative industries, and his doctoral research focussed on the social and cultural value of small live music venues. Previous peer-reviewed publications of Dr Whiting's have explored the music industry, the live music ecology, music scenes, issues of access and live music, alternative forms of capital within the creative industries, heritage, gender studies and cultural identity. His recent teaching focusses on cultural economics and the creative industries. Dr Whiting's previous research experience has included work with the Live Music Office, the City of Melbourne, Monash University, RMIT University, and the University of Tasmania. Sam is also the the Secretary of the Australia-New Zealand branch of the International Association for the Study of Popular Music (IASPM).
About me
Secretary - Australia-New Zealand Branch, International Association for the Study of Popular Music
About me
| Date | Title |
|---|---|
| 12/03/2020 |
Pub of the Future, https://vimeo.com/412600919?fbclid=IwAR1PZ4O2noarCKbUPd-jre6t3pFfciWASA1KUglBM_fYiDL9hUj_Iw3nAH4 |
About me
Doctor of Philosophy The Royal Melbourne Institute of Technology
Bachelor of Music Studies with Honours Griffith University
Bachelor of Music Studies Griffith University
Research
Research since 2008 is shown below. To see earlier years visit ORCID or Scopus
Open access indicates that an output is open access.
| Year | Output |
|---|---|
| 2020 |
|
| 2019 |
|
| 2018 |
2
1
1
|
| 2016 |
Open access
|
| Year | Output |
|---|---|
| 2021 |
|
| 2020 |
|
| 2018 |
2
1
1
|
| 2017 |
Open access
|
| 2016 |
Open access
|
| 2015 |
2
3
|
External engagement & recognition
| Organisation | Country |
|---|---|
| Massey University | NEW ZEALAND |
| RMIT University | AUSTRALIA |
| University of Tasmania | AUSTRALIA |
External engagement & recognition
| Engagement/recognition | Year |
|---|---|
Contribution to policy - Report on the inquiry into the Australian music industryStanding Committee on Communications and the Arts, Parliament of the Commonwealth of Australia |
2019 |
Invited lecture - Knowledge Week MelbourneRaising the Bar Melbourne |
2019 |
SecretaryInternational Association for the Study of Popular Music - Australia/New Zealand branch |
2018 |
Teaching & student supervision
Teaching & student supervision
Supervisions from 2010 shown
| Thesis title | Student status |
|---|---|
| Patchwork of a Scene: Rurality, Resourcefulness and Social Belonging | Current |
| The impact of festivalisation on the Tasmanian cultural and creative ecology | Current |
