Artist website www.sarahneville.com
Sarah Neville is an artist / practitioner whose research is in the area of the transmission and transfer of embodied knowledge in immersive digital simulation environments. Her research is informed by her background in contemporary dance and movement practices and kept up to date through networks in the field of human factors. Sarah has an honours degree from Flinders University in Theatre and Film and a Research Masters in Creative Industries from The Queensland University of Technology. In 2022 Sarah completed a Co-tutelle PhD at both Deakin University and Coventry University in dance digitisation, investigating how people learn through embodied knowledge in immersive simulation... Read more
About me
Artist website www.sarahneville.com
Sarah Neville is an artist / practitioner whose research is in the area of the transmission and transfer of embodied knowledge in immersive digital simulation environments. Her research is informed by her background in contemporary dance and movement practices and kept up to date through networks in the field of human factors. Sarah has an honours degree from Flinders University in Theatre and Film and a Research Masters in Creative Industries from The Queensland University of Technology. In 2022 Sarah completed a Co-tutelle PhD at both Deakin University and Coventry University in dance digitisation, investigating how people learn through embodied knowledge in immersive simulation environments and what type of processes are involved. Fieldwork was undertaken in Australia and Europe across healthcare, aviation and rail as well as arts-based practices. Current research projects are looking at how embodied knowledge can inform and transform work-based training for immersive simulation industry applications. In 2019 Sarah was an invited artist for a Public Art Commission at the European Centre of Culture’s exhibition at the Venice Biennale. In 2020 Sarah was a recipient of Arts SA fellowship, creating new work for Dance and Virtual Reality.
Conferences
22 April 2022, Glasshouse, Demonstration, ANAT's Multiplicity, Science Museum, Melbourne
13th November 2020, Embodied Cognition in Dance for Virtual Reality, Technart: Art and Technology International Conference, California, USA
15-17 July 2020, Spheres a Dance for Virtual Reality, 7th International Conference for Movement and Computing, Practice Works: (Virtual), New Jersey, USA, https://vimeo.com/436736957
19-21 February 2020, Spheres a Dance for Virtual Reality, Electric Dreams Conference, Adelaide Fringe Festival, Lot 14, Adelaide
27-29 June 2019, Audit Traces, Bodies of Knowledge: Art and Embodied Cognition, Deakin University
27-28 September 2017, Transmission of Dance Knowledge in Digital... Read more
Research
Excludes commercial-in-confidence projects.
South Australian Contemporary Dance Sector Initiative, Arts SA, 29/09/2023 - 15/01/2024
Research
Research outputs for the last seven years are shown below. Some long-standing staff members may have older outputs included. To see earlier years visit ORCID or Scopus
Open access indicates that an output is open access.
Year | Output |
---|---|
2024 |
Open access
|
Year | Output |
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2024 |
Thomas, SN 2024, Ada, ACT, Australia, 2 September 2002-9 November 2024, Australian Choreographic.
Open access
|
2024 |
Open access
|
2023 |
Open access
|
Non Traditional Outputs
October 2019, Optical Illusions, Venetian Blind, Public Art Commission, European Centre for Culture, Venice Bienale, Italy
September 2019, Spheres: A Dance for Virtual Reality, MOD Museum of Discovery, University of South Australia
Research
Conferences
22 April 2022, Glasshouse, Demonstration, ANAT's Multiplicity, Science Museum, Melbourne
13th November 2020, Embodied Cognition in Dance for Virtual Reality, Technart: Art and Technology International Conference, California, USA
15-17 July 2020, Spheres a Dance for Virtual Reality, 7th International Conference for Movement and Computing, Practice Works: (Virtual), New Jersey, USA, https://vimeo.com/436736957
19-21 February 2020, Spheres a Dance for Virtual Reality, Electric Dreams Conference, Adelaide Fringe Festival, Lot 14, Adelaide
27-29 June 2019, Audit Traces, Bodies of Knowledge: Art and Embodied Cognition, Deakin University
27-28 September 2017, Transmission of Dance Knowledge in Digital SimulationmEnvironments, Dance in the Digital Domain, National Dance Forum, Ausdance, Victorian College of the Arts, Melbourne
Publications
2 May 2020, Online article:Virtual Stages for Dance, Delving into Dance, https://www.delvingintodance.com/dwords/virtual-stages-for-dance?rq=sarah%20neville
2020 Arts SA Fellowship
2020 Arts SA Arts Recovery Fund
External engagement & recognition
Organisation | Country |
---|---|
Add Life Technologies | AUSTRALIA |
Articulate Animal | AUSTRALIA |
Central Queensland University | AUSTRALIA |
University of South Australia | AUSTRALIA |
Teaching & student supervision