http://www.littlepig.org.uk/
Professor of Art
Director: South Australian School of Art (est. 1856)
Artist's website: http://www.littlepig.org.uk/
Amazon author's page: http://amazon.com/author/simonbiggs
Simon Biggs is a visual artist, writer and curator working with new media. His work manifests as interactive immersive environments, electronic literature, machine-learning augmented performance environments, human-machine co-creation, internet-based art and computer animation. Recognising the creative affordances allowed by working across disciplines, but also aware of his own limitations, Biggs often collaborates with creative arts practitioners in dance and music, and scientists in software engineering, materials-science and neuroscience.
Biggs’s... Read more
About me
Professor of Art
Director: South Australian School of Art (est. 1856)
Artist's website: http://www.littlepig.org.uk/
Amazon author's page: http://amazon.com/author/simonbiggs
Simon Biggs is a visual artist, writer and curator working with new media. His work manifests as interactive immersive environments, electronic literature, machine-learning augmented performance environments, human-machine co-creation, internet-based art and computer animation. Recognising the creative affordances allowed by working across disciplines, but also aware of his own limitations, Biggs often collaborates with creative arts practitioners in dance and music, and scientists in software engineering, materials-science and neuroscience.
Biggs’s work has been presented in over 40 countries, including at Tate Modern (London), Tate Liverpool, Centre for Contemporary Art (Glasgow), Centre Georges Pompidou (Paris), Academy de Kunste (Berlin), Rijksmuseum (Twenthe), Maxxi (Rome), Seoul Museum of Art, Macau Arts Museum, Walker Art Center (Minneapolis), Arizona State Art Museum, Art Gallery of New South Wales (Sydney) and Art Gallery of South Australia (Adelaide). His work is held in public collections in the UK, USA, France, Spain, Netherlands, New Zealand, Germany, Canada, Austria and Belgium. Publications include Remediating the Social (2012), Autopoiesis (with James Leach, 2004), Great Wall of China (1999), Halo (1998), Magnet (1997) and Book of Shadows (1996).
Principal Investigator: Developing a Network-Based Creative Community: Electronic Literature as a Model of Creativity and Innovation in Practice (2010-2013), funded by the Humanities in the European Research Area Joint Research Programme for Creativity and Innovation. Partners: University of Bergen (lead), University of Edinburgh (Biggs), Blekinge Institute of Technology, University of Amsterdam, University College Falmouth, University of Jyvaskyla and University of Ljubljana. Value 1 million Euros.
Principal Investigator: Moving Targets (2010-2013), funded by the Scottish Funding Council. Partners: University of Abertay (lead) and Edinburgh (Biggs). Value £1.2 million.
Co-Investigator: Design in Action (2012-2016, funded by the Arts and Humanities Research Council. Partners: University of Dundee (lead), Edinburgh (Biggs), Glasgow School of Art, Robert Gordon University, University of Abertay Dundee and St Andrews University. Value £5 million.
Chief Investigator: Collaborative Embodied Movement Design Network, (2017-2018) Australian Research Council LIEF funded project. Partners: Swinburne University (lead), UniSA (Biggs), UNSW, QUT and Melbourne University. Value $350,000.
About me
University of South Australia - Professor of Art
University of Edinburgh: Edinburgh College of Art - Professor of Interdisciplinary Art
Sheffield Hallam University - Research Professor of Art
University of Cambridge: Computer Laboratory - Research Fellow
University of Canterbury, New Zealand - Visiting Artist
Oxford Brookes University - Visiting Artist
Academy Minerva, Netherlands - Lecturer
Middlesex University - Part-Time Lecturer
Research
Excludes commercial-in-confidence projects.
The Australian Emulation Network: Accessing and Connecting Creative Computing Collections, ARC - Linkage Infrastructure Equipment & Facilities Grant, 01/01/2022 - 31/12/2023
Research
Research outputs for the last seven years are shown below. Some long-standing staff members may have older outputs included. To see earlier years visit ORCID, ResearcherID or Scopus
Open access indicates that an output is open access.
Year | Output |
---|---|
2021 |
Open access
|
2021 |
Open access
|
2019 |
Open access
|
2018 |
Open access
|
2017 |
Open access
|
Year | Output |
---|---|
2021 |
Open access
|
2016 |
|
2015 |
Open access
|
2014 |
Open access
|
2014 |
3
|
2014 |
Open access
|
2013 |
|
2013 |
Open access
3
|
2012 |
Open access
|
2009 |
|
Year | Output |
---|---|
2019 |
Open access
|
2019 |
Open access
|
2018 |
Open access
|
2017 |
Open access
|
2014 |
Open access
|
2014 |
|
2012 |
Open access
|
2011 |
Open access
|
2010 |
Biggs, S 2010, 'Publish and Die', Spiel, vol. 29, no. 1-2, pp. 343-354. |
Year | Output |
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2020 |
|
2019 |
Open access
|
2016 |
Open access
|
2014 |
Open access
1
|
2013 |
Open access
|
2013 |
Open access
|
2012 |
Open access
|
2009 |
|
2008 |
|
Year | Output |
---|---|
2021 |
Open access
|
2018 |
Open access
|
2018 |
Open access
|
2017 |
Open access
|
2014 |
Open access
|
2013 |
Biggs, S 2013, Polymorph, Bundanon Trust, Nowra, NSW, 2013, Littlepig Production.
Open access
|
2013 |
Biggs, S 2013, Tate 25, Tate 25th Birthday exhibition, Tate Liverpool, Liverpool UK, 17 May 2013.
Open access
|
2013 |
Open access
|
2013 |
|
2011 |
Biggs, S & Shovman, M 2011, Tower, Poetry Beyond Text, Dundee, UK, 5 March-1 April 2011.
Open access
|
2011 |
|
2010 |
Open access
|
2010 |
Biggs, S 2010, Between Zero and One, Ways of Knowing, Ways of Knowing 2010, 7 September 2010.
Open access
|
2010 |
|
2009 |
Biggs, S 2009, A New Life, Computer Baroque online exhibition, 2009-04-14, UK. |
2009 |
|
2009 |
Biggs, S 2009, Utter, Network as Space and Medium, Network as Space and Medium, 8-9 November 2009. |
2009 |
|
2008 |
|
2014-2019 Honorary Professor, University of Edinburgh, UK
2013-14 Visiting Professor, Arizona State University Art Museum, Tempe, USA
2011-14 Arts and Humanities Research Council, Digital Transformations Advisory Group, UK
External engagement & recognition
Organisation | Country |
---|---|
Arizona State University | UNITED STATES |
Australian Network For Art And Technology | AUSTRALIA |
Glasgow School of Art | UNITED KINGDOM |
Private Individual | AUSTRALIA |
University of Adelaide | AUSTRALIA |
University of Bedfordshire | UNITED KINGDOM |
University of Edinburgh | UNITED KINGDOM |
University of South Australia | AUSTRALIA |
External engagement & recognition
Engagement/recognition | Year |
---|---|
Executive MemberAustralian Council of University Art and Design Schools (ACUADS) |
2018 |
External Peer-review Board MemberJournal of Artistic Creation and Literary Research |
2018 |
Executive MemberAustralian Council of University Art and Design Schools (ACUADS) |
2017 |
External Peer-review Board MemberJournal of Artistic Creation and Literary Research |
2017 |
Honorary ProfessorshipUniversity of Edinburgh |
2015 |
ResidencyArizona Art Museum |
2015 |
ResidencyBundanon Trust |
2015 |
Member, Digital Transformations Advisory GroupArts and Humanities Research Council, United Kingdom |
2014 |
Visiting AcademicArizona State University Art Museum, Tempe, USA |
2014 |
Member, Digital Transformations Advisory GroupArts and Humanities Research Council, United Kingdom |
2013 |
Visiting AcademicArizona State University Art Museum, Tempe, USA |
2013 |
Visiting AcademicEuropean Science Foundation, Strasbourg, France |
2013 |
Member, Digital Transformations Advisory GroupArts and Humanities Research Council, United Kingdom |
2012 |
Visiting AcademicAustrian Science Foundation, Vienna, Austria |
2012 |
Member, Digital Transformations Advisory GroupArts and Humanities Research Council, United Kingdom |
2011 |
Visiting AcademicAustrian Science Foundation, Vienna, Austria |
2011 |
Artistic Practice Program Committee, 2020 International Conference on Movement and Computing, New Jersey, USA
2019 Higher Degree by Research Supervisor of the Year, Education, Arts and Social Sciences, University of South Australia
Postgraduate Writing Editorial Board, Art + Australia, Melbourne, Australia
Member, Helpmann Academy, grant assessment panel, Adelaide, Australia
Member, CIRCLE research group, University of Edinburgh, UK
Member, Crucible research network, University of Cambridge, UK
Chair, selection panel, Samstag Scholarships, Adelaide, Australia
Peer review assessor, Australian Research Council
European Science Foundation, College of Experts, Strasbourg, France
Austrian Science Foundation, Peer Review College, Vienna, Austria
Teaching & student supervision
Teaching & student supervision
Supervisions from 2010 shown
Thesis title | Student status |
---|---|
Artefacts from the black box: understanding post-digital glitch aesthetics through intermedial practice | Current |
Every breath you take; art and surveillance in the post-internet age | Current |
The audience¿s experience of empathy within theatrical narratives: the bridges between performer and public in a sonically augmented live performance environment | Current |
Warra Yartangka (Language of the Land): Decolonising Northern Kaurna Placenames through Photography | Current |
Agents of incongruity: glassmaking embraces nonsense to navigate monsters, wonders and dread | Completed |
Art and attention restoration theory: how landscape-themed art may contribute to a restorative environment in windowless workplaces | Completed |
Curries, kurtas & burqas: encountering artistic practices of emplacement in postmigration societies | Completed |
Encounter and obligation: repositioning the portrait as a socially engaged practice | Completed |
Improvisational creativity and collaborative play in virtual environments | Completed |
Inside, outside, passing through: queer passages in a contemporary sculpture-based practice | Completed |
Linear landscapes of the imagination: a studio-based enquiry into an ontology of line in a contemporary drawing practice. | Completed |
Queer embodiment and network-based media: reconfiguring cartesian understanding of the body and technology within a visual arts practice | Completed |
So near, that we can touch the spaces. A practice-based investigation exploring how the gestural line informs our bodily knowledge of spatial perception and materiality. | Completed |
Staging storyworlds: transmedia theatre and designing audience experience | Completed |
Symbiosis and strife: laboratory cultures in Australian art/science projects | Completed |
The great shroud: exploring the sublime as oceanic otherness through a contemporary visual arts practice | Completed |
Transfiguring the terrain: variation through serial iteration | Completed |